The 1,468 seat Warner opened with a showing of “The Life of the Party” starring Winnie Lightner and Charles Butterworth. “The Life of the Party” was a musical comedy released on Vitaphone, which was an early form of talking motion pictures, and filmed entirely in Technicolor. Joe E. Brown, an actor and comedian, served as the master of ceremonies for the opening celebration.
In 1948 Warner Bros was forced to split into two separate companies, Warner Bros Studios and the Stanley Warner Corporation, due to the results of the Supreme Court antitrust case, United States v. Paramount Pictures, Inc. Stanley Warner Corp (SWC) was created to operate all of Warner Bros theaters as the case ruled that movie studios could not own the theaters where their movies were shown. The Warner Huntington was renamed the Stanley Warner Huntington Park, but the signage on the building’s exterior never changed. SWC operated the theater until 1968, when it was sold to Pacific Theatres. Pacific twinned the Warner in the 1980s, separating the balcony and orchestra levels, and renamed it to Pacific’s Warner 2. The Warner closed in the early 1990’s after a stint as a spanish language theater.
Huntington Park declared the Warner a historic landmark in 2007. However, that status only protects the building’s facade from alteration. The theater sat dormant until Pacific sold it in June 2013 for $1,600,000 to Pacific Blvd. Pacific Blvd applied for a special re-use permit, which would allow them to convert the interior into retail space. Despite opposition from preservationists and residents, Huntington Park’s historic preservation commission unanimously approved the permit. The alteration work began soon after with the removal of the seats, stage, snack bar, and the wall separating the lobby from the auditorium. Blink Fitness, a primarily East Coast based Gym, opened one of their first West Coast locations in the Warner in early 2018.
Yesterday I attended a photography workshop at the Strand Theatre in New Bedford, Massachusetts hosted by Bryan Buckley of Vanishing New England. I love hosting workshops, but it was very nice to be on the other side of one this time. The Strand Theatre originally opened as the Vien Theatre in 1905, and is going to be turned into a community center in the near future.
While I was in the area I also visited the former Capitol Theatre in Fall River, MA. The Capitol originally opened on February 2, 1926. I believe it closed in the 1960s, but haven’t been able to verify that yet. Part of the orchestra level was converted into a bowling alley sometime after it closed. The proscenium and organ chambers were removed so that a large steel support beam could be installed as part of the conversion.
I’ll be posting full write ups on both of these theaters very soon.
B.F Keith’s Prospect Theatre opened on September 7, 1914 in the Prospect Park neighborhood of Brooklyn, NY. The 2,381 seat theater was constructed on the site of a synagogue and three apartment buildings. It was designed by architect William McElfatrick for the Keith Vaudeville Company. The Prospect was dubbed “the woodless and postless theater” while it was being built due to the fact that no wood was used in its construction and there were no posts helping to support the balcony. Woodwork was left out of the building so that the theater would be much safer if a fire broke out. The balcony was supported by a 65 ton steel beam, which eliminated the need for support beams that could have obstructed views during performances. Opening advertisements boasted that the balcony was strong enough to support the world’s ten heaviest locomotives.
Is this thing on? I’m happy to announce that the hiatus is over! I’ve reached a point with the book (more on that soon, I promise) where I can start making regular updates to the site once again. The first post goes live tomorrow and will be familiar to those of you who follow AtFC on Facebook – The Prospect Theatre in Brooklyn, NY.
The Boyd Theatre was demolished in the spring of 2014, despite the efforts of the Friends of the Boyd. This demolition means that Philadelphia is one of the only large cities in America without at least one restored downtown movie palace. Fortunately, the Friends of the Boyd were able to come to an agreement with the owners to preserve some of the art deco features of the theater.
Post 3 in the Snapshot Series – Occasionally in my travels I come across a theater that I can’t find a lot of information on, or that I only have a chance to photograph for an hour or two. They’re still beautiful and fascinating, so they definitely have a place on After the Final Curtain
The Empress Theatre opened in 1927 in the Crown Heights neighborhood of Brooklyn, New York. The 1,595 seat theater was built by architect Charles A. Sandblom, who is also known for the Gramercy Theater in Manhattan. Originally part of the Century Circuit, the theater became part of the RKO circuit in 1929.