After the Final Curtain Anniversary

View from the balcony of the Loew's Kings Theatre.
View from the balcony of the Loew’s Kings Theatre.

Hey Everyone! There are a couple big events coming up – the 5 year anniversary of After the Final Curtain, the release of the Kings Theatre book, the AFtC Facebook page reaching 10,000 (!) followers, and one other announcement I’m going to keep secret the moment. To celebrate, I’m going to give away a signed copy of my upcoming book, Kings Theatre; the Rise, Fall, and Rebirth of Brooklyn’s Wonder Theatre when it’s released to one person who shares or likes a post on the AFtC Facebook page from now until the page reaches 10,000 followers.

Thank you for all your support over the years and good luck everyone!

For more on the book visit: https://afterthefinalcurtain.net/book/

Photo Workshops 2016

View of the Victory Theatre from the side of the balcony.
View of the Victory Theatre from the side of the balcony.

I’m excited to announce that I’ll once again be partnering with photographer/founder of Abandoned America, Matthew Christopher for photo workshops in 2016!

First, we will be returning to the Victory Theatre in Holyoke, MA on April 9, 2016.  The Victory Theatre opened on December 30, 1920 and closed 58 years late on December 15, 1978. It is currently owned by the Massachusetts International Festival of the Arts, who plan to renovate the theater and reopen it as a performing arts center. Past workshops have generated over $4000 for MIFA.

More information as well as how to purchase tickets can be found at: http://www.abandonedamerica.us/after-the-final-curtain1abandoned-america1

View of the stage from the main level of the auditorium.
View of the stage from the main level of the auditorium.

We will also be returning to the Variety Theatre in 2016. The details for that workshop will be announced at a later date.

The Variety opened on November 24, 1927 and after a number of different uses (including a wrestling gym called the Cleveland Wrestleplex) closed in the late 1980s. The building was purchased by the Friends of the Historic Variety Theatre on June 12, 2009, and they plan to restore the theater as a multi-use venue.

For more information go to: http://www.abandonedamerica.us/the-variety-theatre-an-after

Varsity Theatre – Evanston, IL

View from the side of the balcony.
View from the side of the balcony.

The Varsity Theater in Evanston, IL opened on Christmas Eve in 1926. It was designed by Chicago architect John E. O. Pridmore, who is also known for the nearby Vic Theatre. Clyde Elliot, an Evanston native who had worked in Hollywood before returning to his hometown to open the theater, commissioned it. Upon opening the 2,500 seat Varsity was one of the largest neighborhood theatres in the Chicago area, and the largest in Evanston beating the nearby Coronet, Hoyburn, New Campus, and Valencia Theatres.

The mezzanine level of the lobby.
The mezzanine level of the lobby.

An Atmospheric theatre, the Varsity was designed to give the illusion that you were sitting in a courtyard under the night sky and in the case of the Varsity it was the courtyard of a French Royal Chateau. The side walls featured marble imported from Italy, and the stage area resembled a lowered drawbridge. As with other atmospheric theatres, it also featured small twinkling lights in the ceiling to give the appearance of stars, with clouds projected across the ceiling from projectors located on both sides of the auditorium.

600 of the 2500 seats were located on the balcony level.
600 of the 2500 seats were located on the balcony level.

The Varsity opened with with a short serial “The Collegians” and the feature “Man of the Forest” which starred Jack Holt and Georgia Hale. In the early 1930’s the theater became part of the Balaban & Katz theatre chain, which was controlled by the Famous Players-Lasky Corporation, a forerunner of Paramount Pictures. A Geneva organ was installed in the theater when it opened, and the console was painted to resemble a cottage with roof tiles made of terra cotta. As with many of its contemporaries the organ did not see much use later in the theater’s life and was eventually removed. It was acquired by Karl Werner, who installed it in his home. Werner later moved to Arizona and took the organ with him, but when he passed away his family disposed of the organ.

A drop ceiling is all the separates the retail space on the orchestra level from the remains of the balcony.
A drop ceiling is all the separates the retail space on the orchestra level from the remains of the balcony.

In the 1980’s the nearby Evanston Theater, originally known as the Stadium Theatre, was purchased by the Loews Corporation, and enlarged from a single screen to a five-screen theater. As multiplex theatres became to be the norm, single screen theaters like the Varsity struggled to stay open.  The Coronet Theatre, another Evanston single screen, closed because of this in 1984, and the Varsity followed in 1988.

A close-up of some of the whitewashed plasterwork on the balcony.
A close-up of some of the whitewashed plasterwork on the balcony.

Almost immediately after the theater closed, the main level and lobby were gutted and turned into retail space, which is currently occupied by a Gap clothing store. In 2010, the City of Evanston received a $50,000 grant from the National Endowments for the Arts to conduct a feasibility study on reopening the Varsity as a performing arts center. In July 2011, the study concluded that given that the first floor of the theater was currently occupied by a retail store, and not available for redevelopment, that the performing arts needs of Evanston are greater than the Varsity Theatre could accommodate alone. They recommended developing a number of performing arts spaces in downtown Evanston, instead of just one central location.

A close up of the proscenium arch.
A close up of the proscenium arch.
Much of the floor in both the balcony, and the lobby mezzanine is covered with insulation.
Much of the floor in both the balcony, and the lobby mezzanine is covered with insulation.
Two projectors remain in the projection booth.
Two projectors remain in the projection booth.

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Large castle turrets located on each side of the stage were removed when the orchestra level was converted into a retail space.
Large castle turrets located on each side of the stage were removed when the orchestra level was converted into a retail space.

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Holiday Print Sale

Abandoned Theatre Pittsburgh, PA
Abandoned Theatre Pittsburgh, PA

It’s December so that means it’s time for our annual Holiday Print Sale!

From now until December 31, 8×12, 12×18 and 16×24 prints are 50% off when you use the coupon code holiday2015 at checkout.

http://www.afterthefinalcurtainprints.com/

If you have any questions feel free to email me at matt@mlambrosphotography.com

After the Final Curtain is a personal project, and all profits from your print purchases help me to continue photographing endangered theaters across the United States.

Colonial Theatre

View of the auditorium from the side of the balcony.
View of the auditorium from the side of the balcony.

The Colonial Theatre in Augusta, Maine opened in 1913 and was designed by architect Harry S. Coombs, who was known for designing many local libraries.  In 1926 the theater was damaged by a fire, and much of the auditorium had to be rebuilt. The owners took advantage of this and expanded the size of the theater. Originally the 1,240 seat theater showed silent films, and had an orchestra pit directly in front of the stage so music could accompany the films, but this was covered over as silent films gave way to “talkies” or motion pictures with sound.  

Since this photograph was taken the lobby has been cleaned up and used for live events.
Since this photograph was taken the lobby has been cleaned up and used for live events.

During World War II, bond drives were held at theaters across the country where you could only gain admission by purchasing a war bond, which were certificates issued by the government to help finance military expenses, and the Colonial Theatre was no exception. At one bond drive held at the Colonial, actress and singer Dorothy Lamour made an appearance to help drive bond sales.

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The theater closed in the late 1960s due to declining ticket sales. Mothballed and only used for storage, the building’s roof began to deteriorate. Without regular maintenance, water began to leak into the building and eventually causing three large holes in the wooden auditorium floor.

While the theater was closed water leaked in from the roof and caused the wooden auditorium floor to rot.
While the theater was closed water leaked in from the roof and caused the wooden auditorium floor to rot.

 

Colonial Theatre, Inc. was founded in 1995 with the purpose of buying and restoring the building. A number of developers expressed an interest in rehabilitating the theater, but no plan worked out and the building continued to deteriorate. In 2009, Colonial Theatre, Inc. began the process of getting the theater listed on the National Register of Historic Places as that status would offer some protection and tax breaks if the theater was restored. Five years later, they succeeded and the theater was listed in the summer of 2014. The theater is open for tours on Saturday mornings during the spring, summer and fall months.

In 1929 a DeForest Phonofilm system was installed which allowed the theater to show “talkies” or motion pictures with sound.
In 1929 a DeForest Phonofilm system was installed which allowed the theater to show “talkies” or motion pictures with sound.

In June 2015, an art installation and screening of “A Home for Women,” a documentary by Caroline Losneck, Betsy Caron and Kate Kaminski, was held in the lobby of the Colonial, which was the first movie shown at the theater in almost 50 years. More information about the theater is available at https://www.facebook.com/ColonialTheater and http://www.augustacolonialtheater.org/

 

The exterior of the Colonial Theatre in Augusta, ME
The exterior of the Colonial Theatre in Augusta, ME
View of the side of the balcony
View of the side of the balcony.

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One of the surviving auditorium light fixtures.
One of the surviving auditorium light fixtures.

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Summer Print Sale

Loew's Palace Theatre Bridgeport, CT
Loew’s Palace Theatre Bridgeport, CT

I’m getting married this October so I’m having a print sale to help us go on our honeymoon! Use the code “HONEYMOONSALE” at http://www.afterthefinalcurtainprints.com/ when checking out to get 25% off your order. I’ve added some images from upcoming blog posts as well as new photographs from old favorites (including some shots of the renovated Kings Theatre) to the prints page.

If you have any questions please e-mail me and I’ll be happy to answer them for you.

Kodak Professional Supra Endura Luster paper is used for all print sizes.

Kings Theatre Brooklyn, NY
Kings Theatre Brooklyn, NY
Ceiling, Paramount Theatre Newark, NJ
Ceiling, Paramount Theatre Newark, NJ
Mezzanine, Studebaker Theatre Chicago, IL
Mezzanine, Studebaker Theatre Chicago, IL
Fox Theatre Inglewood, CA
Fox Theatre Inglewood, CA

 

Prospect Theatre

View of the remains of the Prospect Theatre.
View of the remains of the Prospect Theatre.

B.F Keith’s Prospect Theatre opened on September 7, 1914 in the Prospect Park neighborhood of Brooklyn, NY. The 2,381 seat theater was constructed on the site of a synagogue and three apartment buildings. It was designed by architect William McElfatrick for the Keith Vaudeville Company. The Prospect was dubbed “the woodless and postless theater” while it was being built due to the fact that no wood was used in its construction and there were no posts helping to support the balcony. Woodwork was left out of the building so that the theater would be much safer if a fire broke out. The balcony was supported by a 65 ton steel beam, which eliminated the need for support beams that could have obstructed views during performances. Opening advertisements boasted that the balcony was strong enough to support the world’s ten heaviest locomotives.

Continue reading “Prospect Theatre”