Los Angeles Lost Theatre Tour

The exterior of the Rialto Theatre in Pasadena, CA

Hi Everyone,

On Saturday July 1, I’ll be co-leading tours through seven of Los Angeles’s Lost Theatres as part of the Afterglow event at the Theatre Historical Society of America’s 2017 Conclave.

Starting at 10AM, we’ll be going to The Variety Arts, the Leimert/Vision, the Rialto, the Raymond, the Uptown and the Westlake.* Photography is allowed, and I’ll be conducting short demonstrations and answering any questions you may have about architectural photography.

Coaches will depart from the Omni Hotel at 9AM, and lunch will be provided in Old Town Pasadena.

If you use the coupon code “ATFC2017” you’ll get $25 dollars off the price and a one year Theatre Historical Society membership (valued at $60).

Tickets are $175 ($150 with the discount) and can be purchased at the THS Conclave site.

If you’d like to attend more than just the Afterglow you’ll also get a discount using the same coupon code:

For the full Conclave (four days of theatre tours) you’ll get $70 off and a complimentary one-year THS membership (valued at $60).

For the two-day downtown LA theater tour you’ll get $60 off and a complimentary one-year THS membership (valued at $60).

Hope to see some of you there!

* Schedule may change. I’ll post an update when it is finalized.

Pantheon Theatre – Vincennes, Indiana

View of the auditorium from the balcony.

The Pantheon Theatre in Vincennes, Indiana opened on May 15, 1921. John Bayard, a local architect designed the theater for owners Louis A. Wilkerson and A.M. Lyons. It cost $225,000 to build, or roughly $3.2 million when adjusted for inflation. The 1,500 seat theater had a Typhoon air cooling and ventilating system, a precursor to air conditioning, which was powered by three very large fans in the ceiling. The opening of the theater was originally supposed to take place on March 15, 1921, but it was delayed two months due to some plaster falling from the underside of the balcony.

View of the auditorium from the stage.

In 1923, Wilkerson-Lyons Enterprises sold the Pantheon Theatre to the Consolidated Realty and Theatres Company (CRTC), which owned and operated theaters in several cities in Indiana, for $225,000. However, CRTC could not afford to pay, and it reverted back to the original owners two months after it was sold. Red Skelton, an American entertainer and Vincennes native who performed at the Pantheon in his youth later unsuccessfully tried to purchase the theater. The Marx Brothers, Spike Jones and Duke Ellington, Will Rogers, Roy Rogers, Hank Williams and Gene Autry also performed at the theater.

A Wurlitzer-Hope Jones pipe organ was installed shortly before opening day.

In 1961, the Pantheon closed and was converted to retail space. The orchestra level was leveled with concrete and a suspended ceiling was added to close off the balcony. A Sears department store was the first to move into the newly created space. In 2006, the building was purchased by Travis Tarrants, who planned on reopening the theater as a performing arts center. Tarrants formed a non-profit organization, the Pantheon Theatre Company (PTC), and began work on the theater. The suspended ceiling was removed, and the auditorium floor was de-leveled. However, PTC relied on donations to fund the restoration of the Pantheon, and those dried up due to the recession of 2008. PTC was unable to pay the thousands of dollars in back taxes owed, and the theater was sold at a tax auction in October 2012.

On August 21, 1928 the theater was broken into and 1,200 dollars was stolen from the safe. Local police suspected that it was a disgruntled employee.

The Vincennes Business and Arts Initiative (INVin), purchased the theater in December 2014. INVin made repairs to the theater, including replacing the roof, to minimize damage to the theater during the winter. In March 2016, they announced plans for the theater to become a shared work space, which would allow business owners and entrepreneurs a place to network and share resources. Steve Miller, INVin’s founder, envisions the space including training and conference facilities.

The first film shown after CRTC took over was “Circus Days,” starring Jackie Coogan.


The Pantheon was the first theater to show talking motion pictures in Vincennes.


View from the side of the balcony.


The original ticket booth was saved and may be reinstalled in the future.


Close up of the proscenium arch.


The last retail space to occupy the theater was a baseball card store.

Snapshot: Hollywood Theatre

Post 4 in the Snapshot Series  – Occasionally in my travels I come across a theater that I can’t find a lot of information on, or that I only have a chance to photograph for an hour or two. They’re still beautiful and fascinating, so they definitely have a place on After the Final Curtain.

 

View of the auditorium from the divided balcony.

View of the auditorium from the divided balcony.

Originally billed as the “Pride of the East Side,” the Hollywood Theatre, located in the East Village neighborhood of Manhattan, opened on March, 11 1926. It was operated by the Mayer and Schneider (M&S) Circuit, and designed by architect Harrison G. Wiseman, who is also known for the nearby Village East Cinemas. According to an account in the Motion Picture News, the crowd on opening night was so large that the police had to cordon the entrance prevent them from storming the theater. The opening was attended by a number of that era’s stars of stage and screen including; George Walsh, Wally Van, Julia Faye, and Edna Purviance.

The balcony level was used as storage after the orchestra level was converted to retail space.

The balcony level was used as storage after the orchestra level was converted to retail space.

The 1,303 seat theater was later managed by RKO and Loew’s Inc. before closing in 1959. After the theater closed, the orchestra level of the auditorium and the lobby were converted into separate retail spaces. The former orchestra level became a series of grocery stores, beginning with a Pioneer Supermarket in 1960. In early 2012, it was announced that the East Farms Supermarket, the latest tenant to occupy the space, would close and the building would be demolished to make way for an eight-story condo building with retail space on the main floor. Demolition began in 2014, and the new building is scheduled to open in the winter of 2016.

A Kimball organ was installed in the theater when it opened, and was removed after it closed.

A Kimball organ was installed in the theater when it opened in 1926, and was removed after it closed.

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Colonial Theatre

 

View of the auditorium from the side of the balcony.

View of the auditorium from the side of the balcony.

The Colonial Theatre in Augusta, Maine opened in 1913 and was designed by architect Harry S. Coombs, who was known for designing many local libraries.  In 1926 the theater was damaged by a fire, and much of the auditorium had to be rebuilt. The owners took advantage of this and expanded the size of the theater. Originally the 1,240 seat theater showed silent films, and had an orchestra pit directly in front of the stage so music could accompany the films, but this was covered over as silent films gave way to “talkies” or motion pictures with sound.  

Since this photograph was taken the lobby has been cleaned up and used for live events.

Since this photograph was taken the lobby has been cleaned up and used for live events.

During World War II, bond drives were held at theaters across the country where you could only gain admission by purchasing a war bond, which were certificates issued by the government to help finance military expenses, and the Colonial Theatre was no exception. At one bond drive held at the Colonial, actress and singer Dorothy Lamour made an appearance to help drive bond sales.

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The theater closed in the late 1960s due to declining ticket sales. Mothballed and only used for storage, the building’s roof began to deteriorate. Without regular maintenance, water began to leak into the building and eventually causing three large holes in the wooden auditorium floor.

While the theater was closed water leaked in from the roof and caused the wooden auditorium floor to rot.

While the theater was closed water leaked in from the roof and caused the wooden auditorium floor to rot.

 

Colonial Theatre, Inc. was founded in 1995 with the purpose of buying and restoring the building. A number of developers expressed an interest in rehabilitating the theater, but no plan worked out and the building continued to deteriorate. In 2009, Colonial Theatre, Inc. began the process of getting the theater listed on the National Register of Historic Places as that status would offer some protection and tax breaks if the theater was restored. Five years later, they succeeded and the theater was listed in the summer of 2014. The theater is open for tours on Saturday mornings during the spring, summer and fall months.

In 1929 a DeForest Phonofilm system was installed which allowed the theater to show “talkies” or motion pictures with sound.

In 1929 a DeForest Phonofilm system was installed which allowed the theater to show “talkies” or motion pictures with sound.

In June 2015, an art installation and screening of “A Home for Women,” a documentary by Caroline Losneck, Betsy Caron and Kate Kaminski, was held in the lobby of the Colonial, which was the first movie shown at the theater in almost 50 years. More information about the theater is available at https://www.facebook.com/ColonialTheater and http://www.augustacolonialtheater.org/

 

The exterior of the Colonial Theatre in Augusta, ME

The exterior of the Colonial Theatre in Augusta, ME

View of the side of the balcony

View of the side of the balcony.

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One of the surviving auditorium light fixtures.

One of the surviving auditorium light fixtures.

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Return

Prospect Theatre, Brooklyn, NY

Prospect Theatre, Brooklyn, NY

 

Is this thing on? I’m happy to announce that the hiatus is over! I’ve reached a point with the book (more on that soon, I promise) where I can start making regular updates to the site once again. The first post goes live tomorrow and will be familiar to those of you who follow AtFC on Facebook – The Prospect Theatre in Brooklyn, NY.

Road Trip 2013 Day 2

Lyric Theatre Birmingham, AL.

Lyric Theatre Birmingham, AL.

Day two was spent photographing the Lyric Theatre in Birmingham, Alabama. The Lyric opened in 1914 as a vaudeville theater, and was eventually converted to show films. More information can be found at http://lightupthelyric.com/

 

© Matthew Lambros and After the Final Curtain, 2013. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Matthew Lambros and After the Final Curtain with appropriate and specific direction to the original content.

Shapshot: Liberty Theatre

Introducing: the Snapshot Series  – Occasionally in my travels I come across a theater that I can’t find a lot of information on, or that I only have a chance to photograph for an hour or two. They’re still beautiful and fascinating, so they definitely have a place on After the Final Curtain.

View from the back of the auditorium.

View from the back of the auditorium.

The Liberty Theatre opened in 1922 in Dorchester, MA. It was operated by New England Theatres and showed primarily silent films. The 898-seat theater was in poor shape by 1941 and was later sold to ATC Theatres. In 1949, the Liberty was remodeled and reopened as an art house theater, but ended up closing in the 1950s. It was used as a household appliance warehouse in the 1960’s and later as a church until 1977, when it was converted to a warehouse for storage.

The lobby of the Liberty Theatre.

The lobby of the Liberty Theatre.

The Liberty Theatre was demolished in early 2013.

A lot of the original decor survived the theater's transformations over the years.

Much of the theater had been demolished before I had the chance to photograph it.

A close up of the proscenium arch.

A close up of the proscenium arch.

A close up of some of the remaining plasterwork in the lobby.

A close up of some of the remaining plasterwork in the lobby.

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© Matthew Lambros and After the Final Curtain, 2013. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Matthew Lambros and After the Final Curtain with appropriate and specific direction to the original content.