I’ve just updated my post on the Shore (Loew’s Coney Island) Theatre with a more in-depth history and some additional photographs. Check it out at https://afterthefinalcurtain.net/2012/08/01/shore-theatre-loews-coney-island-theatre/
The Robins Theatre in Warren, Ohio is currently being restored and is scheduled to reopen in 2020. I’ve been documenting the progress and put together a short video tour. Look for an in depth post on the Robins soon!
The Arcade Theatre in Los Angeles, California originally opened on September 26, 1910 as the Pantages Theatre. It was designed in the Beaux-Arts style by the Morgan & Walls architecture firm and was a part of the Pantages Vaudeville Circuit. Morgan & Walls are also known for designing the Mayan and El Capitan Theaters in Los Angeles. The location of the 1,400 seat theater helped to make downtown Los Angeles an entertainment destination, and 11 more theaters opened in the area between 1910 and 1931.
Vaudeville singer and comedian Sophie Tucker appeared at the Arcade’s opening day celebration as part of her first West Coast tour. Other opening day acts included a one act pantomime called “A Hot Time in Dogville,” singer Maurice Burkhart, a musical comedy sketch by the Lelliott Brothers, and the Yalto Duo dancers. On Christmas Day 1913, an unusual wedding took place on the theater’s stage — Napoleon, a vaudeville-performing and silent film starring chimpanzee “married” Sally, another chimpanzee from the E&R Jungle Zoo. The theater closed in December of 1921 so that a photoplayer, an automatic mechanical orchestra to accompany silent films, could be installed.
Pantages sold the building in 1925 to the Dalton Brothers, who owned the nearby Folles Theater. It was renamed Dalton’s Theatre (or Dalton’s Broadway) until 1928 when the name was changed to the Arcade Theatre, after the Broadway Spring Arcade Building, which is located directly next to the theater. The Dalton Brothers renovated the Arcade in 1932, and reopened it as a burlesque house on July 30, 1932. Lou Costello (of Abbott and Costello) was one of the comedians who performed at the theater during this time.
In 1938, famed theater architect S. Charles Lee remodeled the interior of the theater, which reduced the seating to 800, changed the foyer to the Moderne style, and updated the building’s facade. On August 22, 1941 the Arcade became a Telenews Theatre, which ran newsreels from 8AM to 3AM the next day. The opening newsreel was called “This World Besieged,” and was about World War II. This change lasted only four months, and by mid-November 1941 the Arcade was back to showing feature films.
The Arcade was an independent theater in the 1960s and 1970s. In the early 1970s, keno was played at the theater every night at 8PM. Metropolitan Theatres ran the Arcade as a grindhouse (a theater that ran three or four different films on repeat) until it closed in 1992. The following year the lobby was converted into a retail space. It is currently an electronics store, and the stage is used as a storage space for the store’s inventory. There have been a few proposals to restore the theater, including one that would have it and two other theaters turned into a restaurant and multiplex complex, but none have come to pass.
For more on the Arcade and many other Los Angeles Theatres be sure to visit: https://losangelestheatres.blogspot.com/
Yesterday I attended a photography workshop at the Strand Theatre in New Bedford, Massachusetts hosted by Bryan Buckley of Vanishing New England. I love hosting workshops, but it was very nice to be on the other side of one this time. The Strand Theatre originally opened as the Vien Theatre in 1905, and is going to be turned into a community center in the near future.
While I was in the area I also visited the former Capitol Theatre in Fall River, MA. The Capitol originally opened on February 2, 1926. I believe it closed in the 1960s, but haven’t been able to verify that yet. Part of the orchestra level was converted into a bowling alley sometime after it closed. The proscenium and organ chambers were removed so that a large steel support beam could be installed as part of the conversion.
I’ll be posting full write ups on both of these theaters very soon.
One of the questions I’m asked pretty often is “How do you light these theaters?” When I first started photographing theaters the answer was pretty simple. I didn’t. I relied on whatever was already in the building. I’d use construction lights, open fire escape doors, or in some rare cases use the original theater lights.
A few years ago I picked up some small LED lights from Amazon. They worked pretty well, but had a battery life of around 45 minutes, which wasn’t ideal. Earlier this year I noticed that they were taking longer to charge and not lasting as long. I began to search for replacements. If you’ve ever looked at how many LED lights there are on Amazon and B&H you’d know that finding a good one is a pretty daunting task. After weeding through the duds I bought two Yongnuo YN300 III LED lights, and they’re pretty fantastic. I’m able to light an entire auditorium with the two lights running at 50%, and the batteries last for around two hours. I’ve only tested them at the Everett Square Theatre and the Victory Theatre, but I think they’re a welcome addition to my camera bag.
Congratulations to Monika Seitz Vega and @NKenny ! You both won a copy of my first book, After the Final Curtain: The Fall of the American Movie Theater . Thank you to everyone who entered the contest. I’ll be doing another giveaway soon.
I had been photographing forgotten theaters for a few years before I launched this site, but we just passed the 7 year anniversary of my first post. So to celebrate I’m giving away two signed copies of my first book, After the Final Curtain: The Fall of the American Movie Theater.
To enter just follow my twitter account: https://twitter.com/MattLambros and retweet any image I tweet during the next week.
If you don’t have a twitter account, just comment on this post to enter. Good Luck!
I had a fantastic time in England with the Cinema Theatre Association and wanted to share a few of the theaters I visited while I was over there. First, the Royalty Cinema in Birmingham. It opened on October 20, 1930 and closed in 1963. The cinema was then converted into a bingo hall, which closed in 2012.
The Granada originally opened on September 7, 1931. It was converted into a bingo hall in 1967, and remains one today. This is one of the more impressive theaters I’ve ever visited.
Finally, we have the ABC Stoke Newington. It opened as the Savoy Cinema on October 26, 1936. It closed in 1984, and the orchestra level was converted into a snooker hall. The snooker hall closed in 2014. Current plans call for the theater to undergo an estimated £3 million restoration and reopen as the Hackney Arts Centre in 2018.
I’ll be posting in-depth write ups of these cinemas (and more) very soon.
I’m currently in London checking out some of England’s amazing theaters. The picture above is the remnants of the Kingsland Empire Theatre which opened in 1915. It’s located above the Rio Cinema, a smaller art deco theater, that was built inside the Kingsland in 1937.
I’ve been going through some of my older posts and expanding the text as well as re-editing the photos. Check out the first redone post – The demolished Paramount Theatre in Youngstown, Ohio.
I’ll be speaking in at The Gallery at Alan Baxter Associates in London on February 24, 2018 for the Cinema Theatre Association. The address is 75 Cowcross Street, Farringdon, London EC1M 6EL. Doors will open at 5:00 PM and tickets cost £10.00 at the door (which includes wine and light refreshments). Copies of my first book, After the Final Curtain: The Fall of the American Movie Theater, will be available for purchase.
It’s been a long time since I was last in England, and I can’t wait to check out some theaters while I’m there!
On April 5, 2018 I’ll be speaking at the Cabot Theatre in Beverly, MA. I’ll also be exhibiting some new work at the gallery space in the theater. If you think the murals in this theater look familiar, it’s because they were most likely painted by the same artist as the ones in the Loew’s Poli and Loew’s Majestic Theatres in Bridgeport, CT. More details to come!
I’ve secured another workshop date at the Everett Square Theatre in Boston, MA on April 14, 2018. I soft announced the first date on my Facebook page and it sold out in a few days. This one will probably go fast as well. You can find out more information and sign up here.