Robins Theatre – Warren, Ohio

This post was originally posted on After the Final Curtain’s Patreon in June 2021.  For expanded early posts, as well as video walkthroughs and other exclusive content you can become a patron at: https://www.patreon.com/afterthefinalcurtain

View of the auditorium from the balcony before restoration.

A similar view of the auditorium during the renovation.

The Robins Theatre opened on January 9, 1923, in Warren, Ohio. It was the crown jewel of the Robins Amusement Company (RAC). Architect C. Howard Crane designed the theater in the Adamesque style with an Italian Renaissance exterior. Construction of the 1,500-seat theater was handled by the Charles Shutrump and Sons Company of nearby Youngstown, Ohio; it cost $300,000, equating to $4.5 million when adjusted for inflation.

Looking back from the stage pre renovation.

 

The Robins was designed so that the theater could be converted from a movie theater to a live performance theater in only 24 hours. According to an account in the Warren Tribune, “Workmen could begin building a stage while motion picture performances continued in the theater proper.” Then when the theater closed at 11pm, a temporary intervening wall of lumber could be torn down, the connections to the front of the stage constructed and the stage playhouse ready for opening the following night.” The Robins opened with a silent film double feature — “The Speeder” starring Lloyd Hamilton, and “Quincy Adams Sawyer” starring Jon Bowers — and the Robins Orchestra performed the overture of Oberon by Carl Maria von Weber.

Some of the painted details on the wall in the balcony.

Vitaphone, an early form of talking motion pictures, was installed at the Robins in 1927. The first film shown with Vitaphone was “Don Juan” starring John Barrymore. RAC sold the Robins and the Daniel Theaters to R.M.P Realty Co. in August 1966 for around $500,000 ($3.9 million with inflation). The theater closed in 1974, and various plans were put together over the years to restore and reopen it. A feasibility study was done in 2005 that estimated it would cost $12 million to restore and reopen the theater. However, it wasn’t until it was sold to Downtown Development Group LLC in December 2017 that work would begin. The seats were removed in early March 2018, and the plaster repair began soon after. It reopened as a performing arts center on January 20, 2020.

The entryway to the theater was redesigned in the 1960s.

The Projection booth was cleaned out prior to the theater’s restoration in 2018.

Drake Theatre – Oil City, PA

This post was originally posted on After the Final Curtain’s Patreon in May 2021.  For early posts, as well as video walkthroughs and other exclusive content you can become a patron at: https://www.patreon.com/afterthefinalcurtain

A look at Oil City PA's Drake Theatre from the Balcony

View of the Auditorium from the balcony.

The Drake Theatre in Oil City, Pennsylvania opened on August 27, 1928, as the Colonel Drake Theatre. The date was chosen because it was the sixty-ninth anniversary of the completion of the first oil well drilled by Col. Edwin L. Drake, the first man to drill oil in the United States, and the theater’s namesake. The Vemark Corporation formed the Drake Theatre Realty Company (DTRC) to finance the construction, and $500,000 in bonds were sold, which was around half of the building’s appraised value. On January 7, 1928, DTRC invited the public to view the laying of the Drake’s cornerstone.

The ceiling of the Drake Theatre in Oil City, PA

Much of the interior décor items, including the glass from the light in the center of the ceiling, were donated to local museums.

The 2,000-seat theater and 50,000 sq. ft office building was designed by architect William H. Lee, who is known for designing many theaters in eastern Pennsylvania. It was designed in the Art Deco style, and there are two murals depicting the petroleum industry on the auditorium walls. Music was important at the Drake; the Colonial Drake Symphony Orchestra, led by William Lantz, alternated performances with the Wurlitzer Co. Opus 1870 organ. Clark Piers, an organist from Scranton, PA, was hired as the theater’s organist.

The view of the Drake Theatre auditorium from the stage.

The view from the stage reveals how much water damage there is in the auditorium.

Many businesses took out ads in the Oil City Derrick, the local newspaper, to congratulate the theater on its grand opening. The theater’s motto “Always a Good Show” appeared in early advertisements. The opening day celebration began with a street parade headed by a marching band. Many of the theater’s new ushers marched in the parade wearing their green and gold uniforms. Dr. Thomas Farmer, an Oil City businessman, gave the opening address, followed by George H. Torrey of the Oil City Historical Society, who told the history of the oil industry in the United States.

The proscenium arch of the Drake Theatre in Oil City, PA was damaged due to a leak in the roof.

A closer look at the water-damaged proscenium arch.

In the 1950s, one of the lobby staircases was removed so that a concessions stand could be installed. Due to competition from a local multiplex, the Drake closed in July 1986 after a showing of the film “Club Paradise” starring Robin Williams and Peter O’Toole. The Oil City Playhouse briefly reopened the theater in the mid-1990s as a performing arts center, but it closed again after a year. The building was put up for judicial tax sale in 1995 due to $221,000 in back taxes. It was purchased for $70,500 by Bruce Taylor, who owned Penn Aire Aviation, Inc. Taylor outbid a group that intended on restoring and reopening the Drake.

A mural on the auditorium wall of the Drake Theatre in Oil City, PA

One of the two murals depicting the petroleum industry on the auditorium walls.

Penn Aire sold the building to Webco, a local manufacturing company, in early 2018. Webco intends to demolish the auditorium and build a facility to house manufacturing equipment. However, the lobby, façade, and office building will remain. Ellen Gierlach, president of Penn Aire, removed two murals, exit signs, light fixtures, and more before the sale. Gierlach has donated many of them to museums and historical societies, including the Drake Well Museum and the Theatre Historical Society of America.

The lobby of the Drake Theatre in Oil City, PA.

The concession stand in the lobby was added in the 1950s and replaced one of the staircases to the balcony.

The auditorium of the Drake Theatre in Oil City from the orchestra level.

California Theatre – San Diego, CA

This post was originally posted on After the Final Curtain’s Patreon in April 2021. You can become a patron at: https://www.patreon.com/afterthefinalcurtain

Balcony of the California Theatre in San Diego

View of the auditorium from the balcony.

Once billed as “the cathedral of motion pictures” and “an enduring contribution to the artistic beauty of the entire Southland,” The California Theatre in San Diego, CA will be demolished. It could be said its destruction has been ongoing in the last 30 years due to inadequate maintenance. Southern California does not have harsh winters, but it gets rain, and when water comes into a building, it can do significant damage, especially if it’s full of ornamental plasterwork.

California Theatre Auditorium from the Stage

It was named the New California Theatre because there was already a California Theatre in San Diego in 1927. The original California changed its name to the Aztec in 1930, which allowed this one to drop the “new” from its name.

Architect John Paxton Perrine designed the 2,200-seat theater in Spanish Colonial Revival style. The building also housed several restaurants and a high-end department store, Bernard’s, which occupied the entire second floor. It began as a silent film and a Vaudeville theater, before turning to talkies in 1931. Eventually, ornate theater interiors went out of style, and the decorative plasterwork in California’s auditorium was covered by draperies during a remodel in 1963. The California stopped showing films in 1976, and became a performing arts center in 1978. Many famous bands performed at the theater during this time, including; A-HA, Poison, Pete Seeger, The Jerry Garcia Band, Donny Osmond, Jesus and Mary Chain, Melissa Etheridge, The Smithereens, Alice Cooper, Cowboy Junkies, Lou Reed, and Patti Smith.

The lobby of the California Theatre in San Diego

Joseph F Malloy, the theater’s original assistant manager, was shot and killed during a robbery on May 7, 1928.

Ariel Wharton (A.W.) Coggeshall, a San Diego-based businessman, bought the building in 1976. When he died in 1986, he left California to a group of non-profit organizations. The nonprofits formed a consortium called Fourth and C Corp. They were not interested in owning a 2,200-seat theater and planned to sell it to Hillman Properties, a Pittsburgh-based developer. Hillman planned to demolish the building and build a 34-story office complex. Fourth and C Corp gave the tenants of the office building, many of which were month-to-month, 30 days to leave in April 1990. Avalon Attractions, the company that managed the theater, was given until July 1990. The last performances were the Cowboy Junkies on June 20, 1990 and the Final Curtain Concert at the California Theatre, held by the Theatre Organ Society of San Diego on June 24, 1990.

The fire curtain and proscenium arch of the California Theatre in San Diego, CA

The feature presentation on opening night was “Venus of Venice,” a silent romantic comedy starring Constance Talmadge and Antonio Moreno. “Book Ideas,” a vaudeville show by Fanchon and Marco, and a performance by Al Lyons and his band rounded out the opening bill.

However, it wouldn’t be that easy to demolish the California, as it was a historic site grade three, which protected it from being demolished. Fourth and C Corp petitioned the San Diego City Council to change the designation to grade four, which would allow demolition as long as the historic features were recorded. They held a vote in February 1991 and voted 5-to-2 to change the listing. Hillman Properties abandoned the project in October 1991 due to the impact of the economic recession of 1990-1991. The building was bought and sold a few times in the 1990s and early 2000s, with plans for the theater ranging from a Christian performing arts center to a playhouse with occasional films.

Orchestra Level, California Theatre San Diego, CA

View of the auditorium from the orchestra level.

Sloan Capital Partners LLC purchased the California building in 2006. Sloan partnered with Caydon Property Group, an Australian company, to redevelop the property. Caydon’s plans called for the theater to be demolished and replaced by a 41-story condominium tower. Save Our Heritage Organisation (SOHO), a San Diego based historic preservation nonprofit, filed a legal challenge to the demolition of the building on March 1, 2018. The court granted the legal petition because the environmental impact report did not analyze any adaptive reuse alternatives for the theater, required by the California Environmental Quality Act.

Looby of the California Theatre in San Diego,CA.

The California was the first public venue in San Diego to have earthquake resistant framework built into the structure to protect the building.

SOHO and Caydon eventually agreed the lobby and much of the exterior facade would be reconstructed. They also agreed to work with SOHO to identify historic items in the building that could be repurposed. Caydon recently purchased the property from Sloan for $21.1M. It is currently scheduled to be demolished in 2021, with the construction of the new building beginning shortly afterwards.

Auditorium from the side of the stage - California Theatre San Diego, CA

The Wurlitzer organ was removed from the theater after it closed. It went to Trinity Presbyterian Church in Spring Valley, CA, but was destroyed by arson in March 1996.

Emery Theatre – Cincinnati, Ohio

This post was originally posted on After the Final Curtain’s Patreon in Jan 2021. You can become a patron at: https://www.patreon.com/afterthefinalcurtain

View of the auditorium from the middle balcony.

Built as part of the Ohio Mechanics Institute, the Emery Theatre in Cincinnati, Ohio opened on January 6, 1912 as the Emery Auditorium. It was funded by an endowment of $656,737 ($17.1 million with inflation) from Mary Emery, whose husband, Thomas J. Emery had planned on building a similar school in the city. Emery stipulated as part of the endowment that the auditorium must be open to the public and have at least 1,800 seats. The 2,200-seat theater was designed by Harvey Hannaford of the architectural firm of Samuel Hannaford & Sons. It was one of four “acoustically perfect” concert halls whose design was inspired by the Auditorium Theatre in Chicago, IL. The other three were the Orchestra Hall, also in Chicago, Carnegie Hall in New York, and the Orchestra Hall in Detroit, MI.

View of the auditorium from the stage.

The Cincinnati Symphony Orchestra held an inaugural concert at the theater on January 6, 1912. In 1924, George Gershwin performed his classic composition Rhapsody in Blue at the theater. On April 25, 1936, the Cincinnati Symphony Orchestra held its final concert at the Emery; it moved to the Cincinnati Music Hall, a space with more seats and more parking. Beginning in 1935 and ending in 1939, the Federal Theatre Project, a program established during the Great Depression as part of the New Deal to fund live entertainment programs, began to use the Emery. From 1938 to 1948, the theater was the home of The Boone County Jamboree, an American Country Radio Program. A 500,000-watt transmitter was used by station WLW so that millions of people around the country could listen to the program.

The Emery has a very small lobby when compared to many other theaters built around the same time.

The Reverend Martin Luther King Jr. spoke at the Emery on June 16, 1959 while he was campaigning for Ted Berry during Berry’s run for Cincinnati City Council. The University of Cincinnati (UC) took ownership of the Emery building in 1969, when the Ohio Mechanics Institute was incorporated into the university. A Wurlitzer Opus 1680 organ moved to the Emery from the nearby Keith’s Theater the same year, but was not completely installed until 1977. That same year, the Ohio Valley Chapter of the American Theater Organ Society began programming shows on the weekends. They held organ concerts, showed silent, talking, and 3D films, and reduced the seating by closing the upper balcony. The final organ concert was held on October 24, 1999, after which the Wurlitzer was removed to be restored. It would never return to the Emery, and was installed in the Cincinnati Music Hall’s ballroom in 2004.

Most of the seats on the upper balcony have been removed.

Beginning in November 2011, the Requiem Project, a non-profit group formed in late 2008 to restore the theater, held concerts, film festivals and recording sessions at the Emery. The National, Dirty Projectors, Carrie Rodriguez, Ralph Stanley and others performed at the theater during this time. The Requiem Project hired John Senhauser Architects and Westlake Reed Leskosky, two architecture firms, to create the restoration plans for the Emery. However, the Emery Center Corporation, who subleased the theater from Emery Center

Apartments Limited Partnership (ECALP), who in turn leased it from UC, shut down all programming in 2013. According to Kathy Schwab, head of the Emery Center Corp in 2013, programming was stopped due to the theater’s dilapidated state and because everything had to be approved by UC. The Requiem Project sued to try to continue their renovation efforts at the theater, but eventually settled in March 2016. On April 23, 2019, the UC board of trustees voted to sell the Emery; according to them, it is beyond repair. It was sold for $8.55 million to local developers who intend to restore the building. The restoration costs are estimated at around $30 million and will take about three years to complete.

The theater’s vertical sign is stored in one of the former offices in the building.

View of the auditorium from the orchestra level.

Documenting the End of a Theater – Capitol Theatre, Racine, WI

This post was originally posted on After the Final Curtain’s Patreon in Feb 2021. You can become a patron at: https://www.patreon.com/afterthefinalcurtain

The auditorium was used for storage after the theater closed.

In late December 2020, a representative of the Wisconsin Historical Society contacted me. They asked me if I was familiar with what was happening at the Capitol Theatre (Park) in Racine, Wisconsin. I had heard of it, but I didn’t know anything about its current state. 

The Capitol opened on May 30, 1928. It was a typical Vaudeville theater that eventually became a cinema. Les Paul, the famous musician, performed on the stage at the Capitol when he was 14. The theater was twinned in 1976 by splitting the auditorium in two. This change did not touch the front of the auditorium and the stage was closed. 

In the photo above, you can see the auditorium dome through the drop ceiling.

It was renamed Park 1 & 2 in August 1981 and closed on September 1, 1987. The theater was bought by John Apple, who used it as a storage and repair facility for antiques (e.g. cash registers and barber chairs). Over time, the building began to fall into disrepair, and Apple fell a decade behind on his property taxes. 

Many things were left behind before the theater was demolished.

The Racine Building Department issued 12 violations of the City Code in August 2017. Apple did not address this, so a demolition order was issued for the building in June 2018. Apple tried to stop the demolition by going through the court, but his petition was rejected. Then he sought a landmark designation, and on December 1, 2020, the city of Racine bestowed Landmark Status on the Capitol. 

However, the demolition order stood. The City Council of Racine voted to change the Historic Landmark Designation process so that they cannot be nominated while under a raze order. 

One of the antique cash registers that remained prior to demolition.

Despite the efforts of the Friends of the Capitol Theatre, Racine, WI, who raised enough money to purchase and stabilize the building, demolition began on the morning of February 23, 2021. The walls were destabilized and pushed down into the auditorium. The rubble was removed and dirt was hauled in to fill the space.

The projection room was used as a makeshift apartment.

I was asked if I would be interested in documenting the interior of the theater before it was demolished. I was but I needed to figure out the best way to get to Wisconsin and be safe due to the ongoing pandemic. I decided that driving out there was the safest way even if it meant spending 17 hours in the car. Fortunately, I convinced a friend of mine who has been exploring abandoned buildings with for almost 20 years to make the trip with me.

I was hoping that the effort to save the building would succeed but I’m glad that I could document it before it was lost. I know that not every that theater I photograph can or will be saved, but this one came close.

Patreon

I’m launching a Patreon page! As an After the Final Curtain Patreon you’ll get early access to image galleries, video walkthroughs, and write-ups before they are released, print giveaways, discounts on workshops, and some exclusive workshop locations (one some of you have been asking me about for years).

I’ve been uploading content to the page for a few months before launch so there’s already a number of things to check out. You can sign up at https://www.patreon.com/afterthefinalcurtain

2021 Workshops Part 1

Auditorium, Victory Theatre Holyoke, MA.

Here’s the workshop lineup for the first half of 2021. All of the workshops are limited in size and masks are required due to the ongoing pandemic.

Orchestra Level, Orpheum Theatre – New Bedford, MA.

First up is a return to the Orpheum Theatre in New Bedford, MA on May 1, 2021. This is one of my favorite workshops as there is so much to shoot. A theater, a ballroom, and a shooting range. To sign up visit: http://www.mlambrosphotography.com/workshops/orpheum-theatre-workshop

Auditorium, Everett Square Theatre – Boston, MA.

Up next is the Everett Square Theatre in Hyde Park, MA on May 15, 2021. This is a great one for people who haven’t photographed anything abandoned before. It’s a smaller theater,  but still has a lot of great details. To sign up visit: http://www.mlambrosphotography.com/workshops/everett-square-theatre-workshop

Auditorium, Victory Theatre Holyoke, MA

Next is one I haven’t done for a few years – The Victory Theatre in Holyoke, MA on June 12, 2021. The Victory was one of the first theaters I photographed, and the first one I held a workshop at back in 2014. To sign up visit: http://www.mlambrosphotography.com/workshops/victory-theatre-workshop

Auditorium, Colonial Theatre – Augusta, Maine.July 24, 2021, is a return to the Colonial Theatre in Augusta, Maine. When I first photographed this theater there was a giant hole in the middle of the auditorium,  luckily that has been fixed and it’s much easier to move around the place. To sign up visit: http://www.mlambrosphotography.com/workshops/colonial-theatre

Auditorium, Goodwill Theatre – Johnson City, NY

I had a workshop planned for the Goodwill Theatre in Johnson City, NY in April 2020 but it was postponed due to the Covid-19 pandemic. I’m still working with the owners on finalizing a date but it should be sometime in the Spring of 2021. I will put out an update the second the date is locked.

There are other locations in the works (outside of the New England area) but that announcement will have to wait for another day.

Happy Holidays!

The Boyd Theatre opened on Christmas Day in 1928.

Merry Christmas and Happy Holidays to everyone! I hope you all are staying safe and healthy during this awful year.

Thank you for following my work!

The Keith-Albee or RKO Keith’s Theatre in Queens, NY opened on Christmas Day in 1928.

Artists Sunday – November 29, 2020

Orchestra level, Colonial Theatre Laconia, NH.

Colonial Theatre – Laconia, NH.

I’ll be taking part in the first-ever Artists Sunday on November 29, 2020. It’s similar to Black Friday or Small Business Saturday but encourages people to buy art! 

Between now and November 29 I’ll be uploading a lot of new and never before seen work to my print store at http://www.mlambrosphotography.com/store. If you want a sneak peek of the new work be sure to follow my Instagram and Twitter pages. 

The sale will go live at 12:01 AM on November 29, 2020, and end at 11:59 PM.  

Visit http://www.mlambrosphotography.com/store and use the coupon code “Artistssunday” at checkout to get 20% off your order. The first 13 people to spend over $100 will get a free matted 8×12 print.

Lobby, Adams Theatre – Newark, NJ

Here’s a short interview I did with the Boston Globe about the event:

https://www.bostonglobe.com/2020/11/20/lifestyle/thousands-artists-crafters-organizations-encourage-customers-shop-artists-sunday/?outputType=amp

 

Here’s a bit about Artists Sunday from their website:

“Artists Sunday is the nationwide movement dedicated to supporting artists and recognizing the impact they have in enriching our lives, communities, and the economy. The powerful new effort is designed to make the Sunday after Thanksgiving the most profitable day of the year for artists. Consumers are encouraged to shop with artists and purchase creative, handcrafted gifts for the holidays. Artists Sunday follows Black Friday and Small Business Saturday, prior to Cyber Monday. Supporters include individual artists, economic development agencies, and non-profit organizations across the country. To learn more about Artists Sunday artists, partners, sponsors, or involvement in promoting commerce with artists, please visit http://ArtistsSunday.com/

Artist Sunday Flyer

Uptown Theatre – Philadelphia, PA

The Uptown is one of the theaters that was exclusive to my first book, After the Final Curtain: The Fall of the American Movie Theater. However, due to the events of today (11.6.20) I think it’s fitting I post a theater from the city of Brotherly Love.

View of the auditorium from the orchestra level.

Stevie Wonder, The Jackson 5, The Temptations, Ray Charles, Smokey Robinson, Marvin Gaye, and the Supremes all have one thing in common, besides being renowned musical artists; they all performed at the Uptown Theatre in Philadelphia, PA. The Uptown originally opened on February 16, 1929 in the North Central neighborhood of Philadelphia, Pennsylvania. The 2,040-seat theater was designed by the architectural firm of Magaziner, Eberhard and Harris. It was built by Samuel Shapiro (who owned several theaters in the Philadelphia area) and operated by the Warner-Stanley (Warner Bros) Theatre Circuit.

The auditorium ceiling was painted a flat grey during a remodel of the theater.

Opening day at the Uptown consisted of a showing of “On Trial” starring Pauline Frederick and Bert Lytell and a Movietone address by Dr. Charles Beury, the president of nearby Temple University. The Movietone sound system allowed the Uptown to show talking motion pictures as soon as it opened. Vaudeville acts were also part of the regular bill and unlike many of its contemporaries the Uptown held vaudeville performances until 1950.

In 1957 Philadelphia radio personality Georgie Woods began producing shows at the theater. Woods was responsible for turning the Uptown into Philadelphia’s answer to Harlem’s Apollo Theatre by booking many famous African American acts. He referred to the Uptown as “the grand jewel of entertainment for Black America.” The theater became part of the “Chitlin’ Circuit”, which was the informal name given to performance venues across the United States that were safe for African- American entertainers to perform in during the period of segregation. According to R&B singer Ruth Brown, the Uptown was one of the four major theaters on the circuit that you had to play to prove that you had made it as an entertainer. The others were: the Howard in Washington DC, the Regal in Chicago, IL and the Apollo in New York City.

View of the auditorium from the center of the balcony.

Like the Apollo, the Uptown became known for amateur nights where local artists could compete for prizes. Daryl Hall of Hall & Oates got his start at one of the Uptown amateur nights. Hall attended Temple University and won a record deal at an amateur talent show at the theater. The Uptown was also famous for booking acts at a very low price. Allegedly, Woods was able to get the Supremes for a 10-day engagement for just $400. Woods was also very active in the American civil rights movement and often used the theater to promote it. He would hold “freedom shows” to promote civil rights at the Uptown, giving the profits to charities of his choice, regardless of race or creed. Woods was honored for his involvement in the civil rights movement by the Philadelphia branch of the NAACP in a ceremony held at the Uptown. By 1971 the shows were grossing $250,000 a year and films were only shown during the times when no live performances were booked. However, in 1972 Woods stopped producing shows at the Uptown. By 1978 the theater’s audience grew too small for even the minor acts and it was forced to close.

Since this photo was taken much of the detail work on this wall has been destroyed.

The Uptown reopened as a church in the 1980s. Services were held at the theater until the roof was damaged by a storm in 1991 and the church was forced to vacate the property. The Uptown Entertainment and Development Corporation (UEDC), a nonprofit whose mission is to develop revitalization projects in downtrodden neighborhoods, bought the theater in 2002. UEDC raised enough money to stabilize the roof, restore the building’s exterior and renovate the attached office space. They plan to use the funds raised from renting out the office building to fully repair the roof and restore the auditorium so that the Uptown can be reopened as a performing arts center. UEDC estimates it will cost $8 million dollars to fully restore the building.

Looking back at the auditorium from the stage area.