Is this thing on? I’m happy to announce that the hiatus is over! I’ve reached a point with the book (more on that soon, I promise) where I can start making regular updates to the site once again. The first post goes live tomorrow and will be familiar to those of you who follow AtFC on Facebook – The Prospect Theatre in Brooklyn, NY.
The Loew’s Canal Theatre opened in September of 1927 in New York, New York. The Loew’s Corporation contracted with Thomas W. Lamb, one of the foremost theater architects of the 20th century, to design a theater on Canal Street in Manhattan. The 2,314 seat theater was the second largest motion picture theater in the city when it opened. Even though it was a larger theater, it mostly showed “B” movies and serials. Loew’s sold the theater to the Greater M&S Circuit a little over a year after it opened, and bought it back when they went bankrupt in 1929.
On the morning of September 10, 1932, an explosion rocked the front of the Loew’s Canal, throwing the ticket booth into the street and shattering windows on a number of neighboring buildings. No one was injured in the blast, but Edward Brown, the theater’s night watchman, was thrown down a flight of stairs by it. A similar explosion destroyed the entrance of the Loew’s 46th Street Theatre an hour earlier. Both bombings were thought to be connected to the Motion Picture Operators’ Union Local 306, who were on strike at the time and protesting in front of both theaters, but nothing was ever proven.
According to an article in the New York Post, Comedian Jerry Stiller grew up going to the theater. Stiller says, “we used to go on Saturday morning at the Loew’s Canal. At nine in the morning, they’d show things like the “Fitzpatrick Traveltalk,” cartoons and serials like “Flash Gordon.” By the time you got to 10:30, they’d get to the double-header, two pictures in a row. What happened was, your mother or father would drop you off at nine, and they didn’t have to pick you up until three. That’s where we got our education.”
Eddie Cantor, who also grew up in the Lower East Side, had the world premiere of his film, “Forty Little Mothers” at the Loew’s Canal in April of 1940. The theater closed in the late 1950s, and by the early 1960s the lobby was converted to retail space, while the auditorium was used as a warehouse. The last occupant of the lobby space was an appliance store and repair shop that closed in the late 2000s.
The terracotta façade of the theater was designated a New York City Landmark by the Landmarks Preservation Committee in 2010. Later that year, the Committee to Revitalize and Enrich the Arts and Tomorrow’s Economy (CREATE) teamed up with the building’s owners to conduct a feasibility study to convert the space into a performing arts center. They received a $150,000 grant from the Lower Manhattan Development Corp., but ultimately the project never came to fruition. The building’s owners planned on converting the space into an 11-story condo complex, but the plan was rejected by the NYC Department of Buildings. Currently, the former auditorium is still used as a warehouse, while the lobby space is empty.
If you’d like to help with my exploring/research efforts, please considerpurchasing a print, all support is very appreciated.
The Shore Theatre opened as the Loew’s Coney Island Theatre on June 17, 1925. The 2,387 seat theater was built by the Chanin Construction Company, which was also known for the construction of the now demolished Roxy Theatre in Manhattan. Before opening, the theater was leased to the Loew’s theater chain. The Shore was designed in a Renaissance revival style by the Reilly & Hall architecture firm, who were proteges of famed theater architect Thomas W. Lamb.
The Proctor’s Troy Theatre opened as the Proctor’s Fourth Street Theatre on November 23, 1914 in Troy, NY. It was designed by architect Arlard Johnson and built by the Charles P. Boland Company for F. F. Proctor. The 2,283 seat theater cost $325,000 to build and was the largest of Proctor’s theaters in New York State when it opened. The building is five stories tall and in addition to the theater, contains space for offices and retail.
The Loew’s 46th Street Theatre opened on October 9, 1927 as the Universal Theatre. It was designed by John Eberson, a famous theater architect known for his atmospheric style auditoriums. According to an account in the Brooklyn Eagle, 25,000 people were present for the opening of the theater. The 2,675 seat theater was acquired by the Loew’s Corporation in August 1928, and closed so renovations could be made to the sound equipment. It reopened on September 10, 1928 as the Loew’s 46th Street Theatre.
The Ridgewood Theatre opened on December 23, 1916. Located in the Ridgewood neighborhood in Queens, New York, the 2,500 seat theater was built by the Levy Brothers Real Estate firm. The Ridgewood was designed by famed theater architect Thomas W. Lamb, who is known for the design of many New Yorkareatheaters. The Ridgewood was modeled after the now demolished Mark Strand Theatre, which was the first ever motion picture palace.
Moss and Brill’s Hamilton Theatre opened on January 23, 1913 in Manhattan’s Hamilton Heights neighborhood. The theater was commissioned by vaudeville operator Benjamin S. Moss and theater developer Solomon Brill and designed by the prolific Thomas W. Lamb, known for the architecture of many of the Hamilton’s contemporaries. Lamb designed the Hamilton in the Renaissance Revival style, incorporating a terracotta façade.
The Sattler Theatre opened in 1914 and was built on a site that had been used for other theaters in the past. The Sattler Theatre was comissioned by John G. Sattler, the founder of Sattler’s, a local Buffalo department store. It was designed by architect Henry L. Span, who designed many of Buffalo’s theaters, including the North Park Theatre, which is still in use. Continue reading →